GRISEY PERIODES PDF

It was from this starting point that the French composer began to mine the depths of texture and harmony contained within individual sounds. In composing the piece Grisey undertook detailed analyses of sound spectra. These are the unique combinations of frequencies that manifest themselves as timbre, accounting for the distinction between, for example, a middle-C played on a piano and the same note played on a violin. Whilst seemingly little more than a conjuring trick, this passage serves to reveal the wealth of subtle nuance hidden within a single sound. In this sense, Les espaces acoustiques reaches far beyond the superficialities of its compositional ingenuity: this piece opens up new modes of aural perception, exposing the beautiful multidimensionality constituting even the most mundane of sonic events. Les espaces acoustiques hovers uneasily between the consonant and the dissonant, the placid and the volatile.

Author:Dak Manris
Country:Nigeria
Language:English (Spanish)
Genre:Travel
Published (Last):15 February 2007
Pages:216
PDF File Size:7.78 Mb
ePub File Size:8.83 Mb
ISBN:741-6-50405-310-9
Downloads:56058
Price:Free* [*Free Regsitration Required]
Uploader:Kigara



It was from this starting point that the French composer began to mine the depths of texture and harmony contained within individual sounds. In composing the piece Grisey undertook detailed analyses of sound spectra.

These are the unique combinations of frequencies that manifest themselves as timbre, accounting for the distinction between, for example, a middle-C played on a piano and the same note played on a violin. Whilst seemingly little more than a conjuring trick, this passage serves to reveal the wealth of subtle nuance hidden within a single sound. In this sense, Les espaces acoustiques reaches far beyond the superficialities of its compositional ingenuity: this piece opens up new modes of aural perception, exposing the beautiful multidimensionality constituting even the most mundane of sonic events.

Les espaces acoustiques hovers uneasily between the consonant and the dissonant, the placid and the volatile. Through his spectral analyses, Grisey uncovered the dramatic tensions at the centre of apparently stable sounds, drawing out the natural dissonances that lie buried within.

As such, this music is at once sensuous and uncertain; the static mass of luminous colours and textures is undercut by a constant threat of rupture as Grisey proceeds to tear apart the very fabric of the soundscape. Part scientific analysis, part mystical exploration of aural sensuality, Les espaces acoustiques simultaneously deconstructs conceptions of the nature of music whilst remaining firmly rooted in the physical, vibrational qualities of sound itself.

Below is a recording of Les espaces acoustiques accompanied by a brief listening guide. Another recording can be found here via Spotify. Please note that this is a different recording so the timings below will no longer correspond exactly with the performance.

A sparse solo for viola, this movement hints at the timbral richness of the remainder of the piece as the instrument traverses a variety of sonorities.

In the opening passage, the static, pulsating mass of sound occasionally threatens to erupt as the rasping trombone cuts through the soundscape. Listen out for the lilting series of arpeggios beginning at and the intense succession of chords from Scored for 18 instruments, this movement explores a wide variety of textures; particularly striking is the throbbing cloud of sound at , gradually changing in colouration and intensity as different instruments enter and leave.

From to , high strings and pitched percussion cloak the music in a shimmering metallic gauze. The penultimate movement acts as the culmination of the piece, traversing a kaleidoscopic array of luminous textures.

In a magical passage, the delicate, fragmentary strings which emerge from the gloom at are joined by distant muted brass at The movement forms an enigmatic conclusion to Les espaces acoustiques, the bleached colours of the orchestra punctuated by the jarring sonorities of the horns. The fine performance above is conducted by Pierre-Andre Valade and available on the Accord record label.

CHUKYU E IKOU PDF

GRISEY PERIODES PDF

Arashishakar Loading comments… Trouble loading? All our journalism is independent and is in no way influenced by any advertiser or commercial initiative. It varies from instrument to instrument, but I can tell you as a horn player sometimes its very difficult to pick up strange intervals out of nothing without some kind of audio cue it or an easily identifiable interval being played in another instrument or there is a line leading up to it. Glad there is finally a complete video of this on youtube. We do check automoderated posts to make sure nothing was wrongly caught in there, but if you believe your post was wrongly removed, feel free to message us. You gerarv to our cookies and privacy policy if you continue to use this site.

EL LIBRO DE LAS SOMBRAS EMBRUJADAS PDF

Grisey - Periodes 1974

Vura Grisey was raised in rural Belfort, near the West German and Swiss borders, as the only child of working-class parents. During the same year, Grisey went to Berlin as a guest of the D. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. He expressed the opinion that: From Wikipedia, the free encyclopedia. First lecture at the Darmstadt Summer Courses, telling his listeners about a new musical movement afoot perildes Paris. After studies at the Hohner Academy in Trossingen, he entered the Paris Conservatoire, where he won all the main prizes, followed by a period at the Villa Medici and further studies in acoustics.

JADUAL POTONGAN PCB 2013 PDF

GERARD GRISEY PARTIELS SCORE PDF

.

Related Articles