THE ART OF PIANO PLAYING HEINRICH NEUHAUS PDF

Start your review of The Art of Piano Playing Write a review Jun 13, Mini Mags [Margaret] rated it it was amazing Recommends it for: Pianists Shelves: research Neuhaus is enjoyable to read, but he can be excessively chatty at times. From the material contained in this book, he could have easily had two separate books: 1 a book that gets to the point and is more direct in terms of piano instruction, and 2 another book containing his memoirs and experiences. He mentions that he does not want to write a textbook because too many have already been written. Although his writing style is somewhat antique, his pedigree as a musician is inarguable, and I had many illuminating moments while reading this book. He has an annoying habit of constantly addressing the reader and of defending himself against imaginary critics, but other than that he writes with the strong voice of a man who has spent his whole life in the service An interesting book by a legendary teacher who trained the likes of Vladimir Horowitz, Sviatoslav Richter, Radu Lupu, and others. He has an annoying habit of constantly addressing the reader and of defending himself against imaginary critics, but other than that he writes with the strong voice of a man who has spent his whole life in the service of music.

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He taught at the Moscow Conservatory from to His pedagogic book The Art of Piano Playing is regarded as one of the most authoritative and most widely used treatments on the subject. He died in Moscow in He was born in Elisavetgrad, then part of the Russian Empire known since as Kropyvnytskyi , in present-day Ukraine. Although both his parents were piano teachers, he was largely self-taught.

In he gave a recital in Elisavetgrad with the year-old Mischa Elman and in gave concerts in Dortmund, Bonn, Cologne and Berlin. In , Neuhaus attempted suicide by cutting a wrist. Szymanowski and Rubinstein hastily followed Neuhaus to Florence and tracked him down to a hospital, where he was recovering. After having been temporarily paralyzed, Neuhaus was forced to halt his concert career in the interests of his pedagogical activities. In he began teaching at the Moscow Conservatory where he was also director between and When the Germans approached Moscow in , he was imprisoned on suspicion of being a German spy, but released eight months later under pressure from Dmitri Shostakovich, Emil Gilels and others.

Neuhaus was renowned for the poetic magnetism of his playing and for his artistic refinement.

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